The Emotional Burden of Artmaking
DOI:
https://doi.org/10.58445/rars.310Keywords:
burden, artmakingAbstract
This paper discusses the patterns and differences between formal and emotional art in order to create a visualization for the burden on artists. After thoroughly reading through Moholy-Nagy’s Contribution of the Arts to Social Reconstruction (Source 17), I have broken down its themes and core conclusions. The modern world has become tunnel-visioned in art: the definition of it, the creation of it, and most importantly the view of it. As Moholy-Nagy states, those who become specialists in art created a society where that talent and specialization is required in every aspect of said art. Where people no longer use their potential abilities to read the world of its imagination and wonders to express themselves and instead developed a society where only “artist-specialists” can provide for those said expressions. A burden is put on artists more specifically, one which only the artists can carry. Art is not a specific skill or an ability only the most distinguished can practice, but as what Moholy-Nagy states, is a “community matter.”. Thus, in order to create a visualization of this burden, I created two artworks that display the patterns and differences between formal and emotional art. The differences and especially patterns that are prevalent in emotional art will be the burden.
References
“Barack Obama.” National Portrait Gallery, National Portrait Gallery , https://npg.si.edu/object/npg_NPG.2018.16.
Toor, Salman. “Salman Toor: Bar Boy.” Salman Toor | Bar Boy | Whitney Museum of American Art, Whitney Museum of American Art, https://whitney.org/collection/works/63300.
Nast, Condé. “© 2005 Sol LewittARS, NY. Photograph: Mark Morosse, the Metropolitan Museum of Art.” Architectural Digest, Architectural Digest, https://www.architecturaldigest.com/contributor/2005-sol-lewittars-ny-photograph-mark-morosse-the-metropolitan-museum-of-art.
“Chodorow II.” Art Object Page, National Gallery of Art, https://www.nga.gov/collection/art-object-page.74826.html.
Vorobiev, Maxim. “Oak Fractured by a Lightning. Allegory on the Artist's Wife Death, 1842 - Maxim Vorobiev.” Www.wikiart.org, 1 Jan. 1970, https://www.wikiart.org/en/maxim-vorobiev/oak-fractured-by-a-lightning-allegory-on-the-artist-s-wife-death-1842.
“Jackson Pollock. One: Number 31, 1950. 1950: Moma.” The Museum of Modern Art, The Museum of Modern Art, https://www.moma.org/collection/works/78386.
“Untitled” Provided by the artist
“Untitled 2” Provided by the artist
“Reference 1” Provided by the artist
“Reference 2” Provided by the artist
Smith, Roberta. “Salman Toor, a Painter at Home in Two Worlds.” The New York Times, The New York Times, 23 Dec. 2020, https://www.nytimes.com/2020/12/23/arts/design/salman-toor-whitney-museum.html.
“Salman Toor: No Ordinary Love.” Baltimore Museum of Art, https://artbma.org/exhibition/salman-toor-no-ordinary-love/.
“Mark Rothko.” Mark Rothko: Introduction, National Gallery of Art, https://www.nga.gov/features/mark-rothko.html.
“Mark Rothko: Moma.” The Museum of Modern Art, The Museum of Modern Art, https://www.moma.org/artists/5047.
“Jackson Pollock and His Paintings.” Jackson Pollock: 100 Famous Paintings Analysis and Biography, https://www.jackson-pollock.org/.
“Jackson Pollock: Moma.” The Museum of Modern Art, The Museum of Modern Art, https://www.moma.org/artists/4675.
“Jackson Pollock. One: Number 31, 1950. 1950: Moma.” The Museum of Modern Art, https://www.moma.org/collection/works/78386.
“Maxim Vorobiev Archives.” Ruzhnikov, Ruzhnikov, https://www.ruzhnikov.com/artists/maxim-vorobiev/.
Robert T. Muller / October 17, 2018 / Leave a comment / Arts & Culture. “Fractured by Lightning.” The Trauma & Mental Health Report, YorkU, 17 Oct. 2018, https://trauma.blog.yorku.ca/2018/10/fractured-by-lightning/.
“Alma Thomas.” Artist Info, National Gallery of Art, https://www.nga.gov/collection/artist-info.1926.html#works.
“Alma Thomas.” Smithsonian American Art Museum, Smithsonian American Art Museum, https://americanart.si.edu/artist/alma-thomas-4778.
“Sol LeWitt.” Artist Info, National Gallery of Art, https://www.nga.gov/collection/artist-info.4705.html
“Andy Warhol.” Artist Info, National Gallery of Art, https://www.nga.gov/collection/artist-info.1966.html
“Frank Stella.” Artist Info, National Gallery of Art, https://www.nga.gov/collection/artist-info.1903.html
“Kehinde Wiley Studio KW Studio.” Kehinde Wiley Studio, Kehinde Wiley Studio, https://kehindewiley.com/.
“Artist Kehinde Wiley: 'the New Work Is about What It Feels like to Be Young, Black and Alive in the 21st Century'.” The Guardian, Guardian News and Media, 21 Nov. 2021, https://www.theguardian.com/artanddesign/2021/nov/21/artist-kehinde-wiley-prelude-nation
Kostelanetz, Richard. “The Contribution of the Arts to Social Reconstruction.” Moholy-Nagy: An Anthology, A Da Capo Paperback, New York, 1970.
Downloads
Posted
Categories
License
Copyright (c) 2023 Aaron Kim
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.